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Those who draw comics, just draw comics honestly, what movie do you shoot, don’t you know?

After more than a year of domestic social media wailing and moving with expectation and self, “The first slam dunk” (hereinafter referred to as TFSD) finally landed in mainland China, Asia’s largest box office market. The domestic propaganda was also full of energy. The actors who had previously dusted for the Chinese version of Slam Dunk (hereinafter referred to as SD) and popular basketball groups from all walks of life were invited to hold a huge propaganda meeting in Peking University. ((This is better than the Japanese. When Japan announced the change of voice excellence, Twitter fought all kinds of fights. After all, the voice excellence of the original five-member group was still in service, it may be the greatest kindness to not let them match a passerby) At this moment, many people should have watched TSD and returned home with their own mood. Although TFSD “nominally” should be viewed separately as a work “independent of” cartoons and even animations, especially Inoue’s “New Perspective”, however, the development around the SD book in the last half year has not dropped at all: the comics were reprinted again when the drama was broadcast, and the covers were reintegrated and published according to the story content; surrounding books in the name of slam dunk and Inoue emerge one after another. I don’t know if this is a kind of “both… and…”. However, most of the disputes in this movie, or slot points, also come from this. Miyagi biography, youth pain literature and bad arrangement At the premiere of TFSD, many people mentioned Inoue’s short cartoon “earrings” for Ryouta Miyagi, which tells the episode of Yoshida and flower twill (ayako, which may be Caizi) when he was a child. However, in TFSD, the story of “earrings” probably only draws on the viewfinder. The biggest emotional line in this work comes from the story re-written by Inoue for Miyagi, AKA’s vulgar literature of youth pain. It’s hard to say how people who haven’t seen SD will evaluate this story. Put aside “why should we design such a miserable past for Ryouta Miyagi, the background of Miyagi can only be described as” vulgar “: the classic father died and his mother was autistic, and his brother and brother (and a sister with soy sauce throughout the whole process) supported the family, the younger brother can’t beat his elder brother forever, and his elder brother passed away at the speed of light after he set up flag. His younger brother was gossiped because his talent was not as good as his elder brother, because he was too sad and even walked away at the gate of hell, finally, the reconciliation between mother and son… is not a very good story. However, the story itself is not the most failed part of the whole movie, but the “arrangement” of TFT by Takehiko Inoue who created the story “: From the perspective of basketball, Miyagi’s performance in this game is actually very general. There is no sports battle score and only two free throws are scored, however, SD’s original work only arranged a few high-gloss shots for him: the opening and SAKULAKI empty connection, the King of crossing the mountain pressed the whole field, and the violation of Shen Jin was caused by 2 penalties. However, the main character of this work is Ryouta Miyagi, which means that the pain literature should be inserted into the competition from time to time, especially after those “highlight scenes. This leads to the strange rhythm of the so-called “smooth match”. The audience always wants to enter the pain literature of a person who has not scored a goal when the climax of scoring starts and even the feelings are coming out. Isn’t it strange for a person who has never seen SD but played basketball? What’s more, in a story originally intended to “break through the ego”, insert a story that is mostly for “reconciliation with yourself and your family”, お し い で し ょ ょ ょ. From the perspective of story narration, we should not only maintain the fluency of the whole game, but also set Miyagi as the leading role, which means that in the 110-minute movie, there is always someone who has to be cut off. In addition to Miyagi’s play in the whole movie, Mitsui had nothing to do with himself (mainly setting up a stage for Liangtian, making the two know each other very early), from the leading role to the supporting role, the characters are all flat, and they are simply flat. EVA next door even if you cut Mei Li and people who are less than Mei Li’s plays, at least it sublimated the leading role. TFSD helped SD sublimate supporting role Palace City, and most of the people who have nothing to do with the competition (Miyagi family). Therefore, I am not aiming at the role of Ryouta Miyagi. As I said earlier, it is very confusing to insert such a miserable family situation into Liangtian inexplicably, although Inoue wants to film SD in this selfish and opportunistic way, what he has done can only be said to rely on defense. Compromise with newcomers and ask the elderly to make up for themselves In order to lower the threshold, this movie also cut off some plots after the adjustment of the characters. The beginning of TFSD is directly the Kawada of akimu and jump ball. During the SD animation period, the most frequently complained was that the competition was not smooth enough, the venue seemed too long, and there were more compatible cards. In order to transform this point, in addition to speculatively compiling a literature of youth pain, TFT didn’t have flashback in the whole competition, but it was the end. But the movie is not a cartoon. The cartoon can be seen and stopped. The movie is not good, and the emotion expressed by “pause reading” in those cartoons, in the passing time of the movie, only “grass has been brought”, unless memories (biography of Liangtian) are inserted, which also means that besides several other people in Miyagi, the story line is not only flat but also “in a hurry”. It is too late to start diverging to enter the next round. Only akimu enjoys a memory of “time boundary. However, after the emotion of these memories mentioned above is completed, the audience who get started is “unable to do it”. Those who can do it, only those who read SD for countless times can recite the lines. Because almost every ball in the King’s battle means a lot, every ball has to be recalled to the old audience. And for those audiences who have read the original works for countless times, under the influence of the three-piece set of “Introduction, fluency and Palace City Biography”, countless classic scenes have been deleted, including but not only: SAKULAKI told Qingzi to the basketball (the most important part of the original work, the key is that TFSD also gave an inexplicable memory, the first time I read it, I recognized the SAKULAKI and Qingzi just opened) Fish live and cut radish and red wood “put down self-esteem” (in fact, the original SD emphasized that red wood should not be attached to one-on-one selection, while TFSD called red wood with the memory of Liangtian, however, what I mentioned was why I worked so hard in the bad team, and then turned my hand to overthrow the dream of King Shan to dominate the whole country and the magazine was given to Liangtian) The chat with Xiandao on Rukawa Kaede is also an opportunity for self-breakthrough (Liuchuan is the person who cut the most in this story) Yi. Material (nothing to say, deleted but not all) Zebei began to challenge himself when playing basketball with his father (becoming a flag for himself. If you were in the original work, you should be ashamed of yourself playing in an alliance with Liangtian, when I was a child, I was grafted to Liangtian) The strongest Mountain King in history (also the sacrifice crowd under the fertile field) And the story that the whole xiaohetian was hit by SAKULAKI (then the xiaohetian was brought up in the second half, and the new audience called you who, but after watching the movie, it is estimated that the new audience will not recognize the people of the King of the mountain) Is this not a kind of “back thorn” or even “PUA” for old fans? While shouting to lower the threshold of entry, while too many emotions make up for the fans who need to see it, they are moved by themselves in a short period of time. In fact, from production to release, most of the people waving flags and shouting or even brushing tickets are old audiences who have seen SD waiting to “pay for youth”, rather than those who are waiting to see the operation of Inoue master show, this movie is obviously a typical “both have”. You laugh at Dongying Compatibility card, Dongying is too lazy to laugh at you After the release, he boasted for a long time that this movie had no advantages other than SD except to maintain the fluency of the basketball match. It was called “commander Polish Rod” among the advantages “. Moreover, many people who commented without reading it made a mistake: The game itself is not the most brilliant part of SD in the story of Xiangbei VS Mountain King. What resonates with the audience is not only the result of the game itself, but also the emotional resonance and self-breakthrough behind almost every ball. After castrating these things, it even needs brain repair, “The game itself is very smooth” has become a general Polish Rod? Besides, the character of a large number of characters only retains the framework, and the extended part is infinitely deleted. I think Inoue teacher should be glad that it didn’t become a powder Group War. This movie was made jointly by Inoue and Dongying. Decide what it is for a large number of people to call TV directly after production (of course, they have already started to spray TV without doing it). You should know that the TV version of Dongying was released 30 years ago, is it necessary to compare the technical level of 20XX with that of 19XX? Some TV audiences also say that TV edition has a grasp of key emotions, the rhythm of stories and the production of music are also much higher than TFT. I save money on compatible cards, you save money to make a strange model of 2D rendering 3D people, let’s swap the things you made in the next era without even fluency (even the same key moment silent narrative TFSD is not as good as TV). Besides, the movie you made for a long time is still a competition + memory. There is nothing to boast about the fluency, the youth pain literature you inserted is not even as good as the original story narration (even not as good as the original part of TV’s plot). I can’t even copy homework In terms of an audience with SD for many years, it cannot be said that it is very strange. It can only be said that it is speechless to grasp this movie. With the quality of the original works of Slam Dunk, even if it is not original, it is not forced to pursue fluency, just by dividing the mirror, narration and characters’ depiction, it won’t be too bad to shoot from 25 volumes to 31 volumes without cutting a knife, even if it is the upper and lower parts. SD’s signboard is so big that its sales volume is already the top six in history. In fact, it is not necessary to make “downward compatibility” to adapt to new audiences, but to make its own things the best, it would be a better choice for new audiences to watch and buy comics instead of making a “THE FIRST SLAMDUNK” that is not like THE four. Of course, if Takehiko Inoue has to be made like this, then he is happy. Now it is only the audience bound with SD to shout “thank you for giving me Youth”, and most of the audiences/media who give favorable comments between China and Japan are basically within this range. But let me say, shouldn’t feelings lose points when the movie is made like this? My youth was so spoiled. Don’t let yourself be a “Slut” and a rotten youth, it’s better not to do it. It is really two different things to draw cartoons and make movies. Don’t touch it in your own field. Welcome to our wechat public number “Houchang Village sports team” to see, there are more NBA, CBA related archaeology, comments and character content>> (Text/Mulong) ******************** Ye Qinghui! Slam dunk national competition officially released

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